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The DV XX-1 was the first cartridge to feature a "magnetic flux damper" (patent) and softened magnetism" (patent) processes that reject the magnetic fluctuation that is detrimental to a moving coil cartridges performance.

The The DV XX-2 MKII retains the benefit of the flux damper but features the Alnico-5 magnet and the similar rigid construction to the Te Kaitora Rua. Alnico magnets exhibit high magnetic flux density combining with a low coercive therefore magnetic resistance is lower than other magnetic types such as rare earth and ferrite, providing the exceptional stability of the XX-2 MKII output voltage. There is also the additional advantage of low magnetic and electrical resistance contributing to a discernable improvement in sound quality.

The XX-2MKII also exhibits deep powerful bass, treble is both clear and lively possessing none of the hardness found in many moving coil designs.

The XX-2MKII also features a 6mm solid boron cantilever fitted with a Pathfinder Line contact stylus. PCOCC (pure copper ohno continuous casting process) copper wire is used for the coil. The output voltage of 0.28mV is higher than that of the XX-2 and 6ohms impedance are suited to most moving coil phono stages.

For ridgity of construction the XX-2 MKII cartridge body is machined from 7075 aluminium the hardest available. However, having only a total weight of only 8.9 grams it is suitable for a variety of popular tonearms.

Type
Low output moving coil cartridge with Alnico magnet and Flux damper
 
Output voltage

0.28mV (at 1KHz, 5cm/sec.)

Channel separation
30dB (at 1KHz)

Channel balance
1.0dB (at 1KHz)

Frequency response
20 - 20,000Hz (± 1dB)

Compliance
10mm/N

Tracking force
1.8 - 2.2g

Impedance
6ohms

Recommended load impedance
> 30ohms

Cantilever
6mm length 0.3mm dia. solid boron

Stylus tip
PF Line contact shape, stylus radius: 7 x 30 micron

Weight
8.9g

 

"The DV XX-2 II also delivers a fine set of test results, with good arm compatibly, high channel separation over a wide frequency range, and a uniform frequency response."

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"That is until I played the track with the XX-2. As I sat on the edge of my seat awaiting the skip I was caught by surprise when it didn't happen. No skip, no jump, no drama, just Stephesons haunting vocal......wow. Now that is tracking ability." - Tested on the track "Nancy" by Martin Stephenson.

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